It is designed to be put into pretty much any venue and process a vast amount of instruments and mics. The Soundcraft GB8 is a live venue mixer that can handle a massive workload. + Compressor and gain knobs for each line If you want a 20-input recorder that can handle all of your basic needs along with powerful effects processors, then the MG20 is an excellent option.
You connect to your computer using the USB connection. There are four separate auxiliary knobs and pan knobs to send each line to various sides. Each balanced line has its own gain control and compressor. It has basically all of the necessary controls right on the board. That means you can create extraordinary dynamics right on the mixer board. Also, with compressor knobs, you can nuance the attack of specific instruments when necessary. It includes high-pass filters in the EQ section that will snuff out any unwanted buzzing from low-end frequencies.
You can produce an immaculate mix with the MG20. What differentiates the MG20 from many other mixers is the discrete A D PRE preamps with an inverted Darlington circuit that offers a level of audio quality that is formidable. It has 20 inputs with 3-band EQ for tone shaping on the mixing board. Selecting a region changes the language and/or content on Yamaha MG20 is a standalone mixer. In such cases, the audio is placed on separate mono tracks when the clips are added to a sequence.
You can change the track format in stereo or 5.1 surround clips. For example, you can apply audio effects differently to the individual channels in a stereo or 5.1 surround clip.
Premiere Pro lets you change the track format (the grouping of audio channels) in an audio clip. For more information on Audio Channels, see Audio channel mapping in Premiere Pro. If you choose to place a stereo clip across two tracks, the Clip Panners use their default behavior (left to left, right to right). Right-click a clip in the Project panel, and select Modify > Audio Channels. You can determine whether a stereo clip is placed on one or two tracks. However, all the audio is mixed to the track format (mono, stereo, or 5.1 surround) of the Mix track (previously known as master track). A sequence can accommodate any combination of clips.